Sitting here in the Fourways Bar, Fraser felt like a
foreigner in his own town. The trendies who organised this Open Mic night
really only did so to listen to each other and themselves. If exposed to a
truth serum they’d have to reveal that they’d really rather that anyone outside
of their own little social clique didn’t play and sing at all. He sat nursing
his pint, didn’t want slurred speech when his turn came, if it ever did.
Tanya Torrance (or Tanya Twee as Fraser called her, though
not to her face for she was as hard as nails) was busy playing her latest Norah
Jones-esque opus, which was actually closer to Norah Batty in its lyrical
content and musical worth – you’d begin forgetting it while she was actually
still singing it. Still, she thought she was good – they all did! Which was why
what they, the meagre Tuesday night audience, were about to witness was so
wrong on so many levels. Tanya, and her equally untalented and banal friend
Penny Presley (‘The Illiterate Alliterates’, as Fraser had dubbed them) had
announced earlier that ‘Tonight Matthew..’ they were going to introduce their
new gospel quartet.
This he had to see.
Four middle-class white women from the outskirts of
Edinburgh were going to attempt to sing black American gospel music. A music
borne through the indignities of slavery and degradation of hundreds of years
was going to be done justice by a quartet of privileged white women who
wouldn’t recognise indignity if they sold it in Harvey Nicks. Apart from the
fact that you had to have a certain ‘quality’ of voice to sing gospel , you
didn’t have to be Mahalia Jackson but something along those lines was definitely
desirable, quite a vocal ‘range’ was required not to say ‘power’ and ‘soul’.
Unless they transformed dramatically within the next hour or so, Fraser had not
witnessed any evidence whatsoever of any of these qualities among those
comprising the quartet. ‘Insipid’, ‘mediocre’ and definitely ‘soulless’ these
were words that more readily sprang to mind when witnessing their collective or
individual performances.
Such arrogance amazed him, and a complete lack of any sense
of irony, and a very dark irony it was too. It left him aghast in the same way
that he couldn’t believe that a crowd of middle-class, rugby-loving, solicitor
types could adopt ‘Swing Low Sweet Chariot’ a song from the plantations of
nineteenth century America, as a way of serenading their ball-chasing heroes.
And they were English too! Slave-traders
extraordinaire! And yet, no-one ever commented on the cruel irony of this
appropriation. Now a similar criminal act was to be committed in the Fourways Bar
in Hartsburgh, East Lothian.
He was up next. Introduced by Tanya herself
‘Someone you’ve all heard many times before...’
‘Thanks for the big sell Tanya...’
The audience may have thought this was gentle verbal
sparring but the protagonists knew it was ignited from mutual loathing. He was
beginning to think he only attended these nights to spite these people. The
enmity was barely concealed.
‘This is a song by Laura Cantrell about premature
ejaculation. It’s called ‘Two Seconds of Your Love’’
They hated his crudity. These were your po-faced, middle-class
Scots and he hated them for that.
They were from the other side of the town – the ‘good’ side.
Where the ‘alternative therapy’ crowd lived. Life coaches, reiki healers.
The well-connected people.
Fraser – Davie Fraser – had spent his life on the other side
of town with the unemployed and the shop workers, and the bar staff from The
Fourways, the alkies and the jakeys, the damaged and the damned.
Even the beach in this little Lothian haven was unofficially
segregated. Go east from the bottom of Fore Street and you got Beach House
cafes that sold sandwiches made from bread other than pan, plain or broon and
kayak clubs. They had their veggie barbecues on the beach nights and Tai Chi at
sundown. Go west from Fore Street and you had two amusement arcades, a chippy
and a Wimpy bar. There they drank tinned lager and flung balls for their
devil-dugs.
And never the twain shall meet.
The punters at the bar liked him. They cheered and bought
him pints after he’d done his little turn. He understood that this was not
wholly in appreciation of his talents and more because they knew that it
annoyed the interlopers who took over their pub every second Tuesday.
He got little applause from them.
They had on occasion stopped him playing at all, saying all
the ‘spots’ had been filled, usually by their friends and friends of friends
from the music college in Edinburgh, people they’d ‘networked’, who were deemed
worth knowing, but they weren’t always able to rig this and had then no
alternative but to let him play.
The gospel choristers made their way to the tiny stage,
giggling excitedly and obviously in their own little bubble of anticipation.
Maybe they’d been practising this for a while and were now keen to expose their
new joint persona to a bemused and largely disinterested public. Everyone but they
and their little coterie seemed to think this was a bad idea and were gearing
themselves to cringe.
And cringe they did, for what followed was excruciatingly
bad. Even Fraser didn’t expect it to be so appallingly awful.
White women from East Lothian cannot sing gospel music.
But, they sure as hell would try.
‘Go tell it on the Mountain’ was the first song they
battered to death. Tanya on shaky lead vocal and the others ‘oohing’ and
harmonising sometimes dangerously close to the tune. They smiled and beamed at
each other as if they were The Southern Gospel Singers incarnate. Desecration was the word closest to
Davie Fraser’s mind, an assault on something sacred, and they couldn’t and
would never see it that way. To them it was a tribute, probably to black
sisterhood or some other equally twee and fatuous notion. It would have been
far more of a tribute if they’d killed the whole idea at birth.
After the inevitable and tortuous rendition of Amazing Grace they left the stage to
whoops and hollers from their own little group and a tired spatter of
hand-claps from those at the bar.
In their own little self-interested, cosy world they’d talk
of this night as a triumph; when they, the sisters of East Lothian had joined
hands with the oppressed and disenfranchised. To show they really were all one, that music could cross
boundaries of culture, race and creed.
-Silly bastards, thought Davie Fraser turning west towards
home.