Ringo Spliff had just been applauded all the way to his
chair at the far end of the office. This sustained acclimation had been earned the
previous evening at the office Christmas party and was in recognition of his
thoroughly aberrant and bizarre behaviour at that particular event.
Although the party had been well stocked with booze courtesy
of the management and the ‘Christmas kitty’, Ringo had insisted on bringing his
own supply in the shape of two bottles of Night Train Express, an apple based
sherry-wine in the Thunderbird tradition.
Ringo had, for reasons known only to himself, brought his ‘blues
harp’ to the party with him and, as he got drunker and drunker, he chose to utilise
his skill with this instrument in the making of ‘lonesome train’ noises. These
bluesy emissions were at jangling variance to the disco music being played by
the DJ employed for the occasion. At one stage, an enraged colleague threatened
to ‘shove that fucking thing’ down Ringo’s throat if he didn’t stop playing it.
Ringo, by this time very drunk indeed, had discovered the ‘novelty
plastic hammer’ that someone had brought along for light entertainment. The ‘novelty’
being that on making contact with another surface it made a disproportionately loud
‘popping’ sound. This was a fresh fascination for Ringo Spliff now that his
harmonica had been taken from him. He thought it would be highly amusing to
apply this toy to twin-setted arse of his manager, the redoubtable Mrs Marsh.
Before his round of applause, which though humorously meant,
served only to aggravate his already aching head, he had been roundly
reprimanded by Mrs Marsh in her office. She advised him that his behaviour did
not reflect well either on him or his career but she’d take no further action
given ‘the spirit of the time of year’.
The hammer now lay in a drawer in her desk. The whereabouts
of his harmonica was never discovered.
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